How are the senses
"Look for the real beauty or ugliness is a real search
so unsuccessful as claiming to
what is really sweet or really bitter.
According to the layout of the same object
can be sweet or bitter, as is fitting proverb
which recognized the futility of the dispute about tastes.
E 'completely natural and even necessary
extend this axiom to the taste of mind over body and taste;
and so common sense, which so often departs from the philosophy
skeptical, agrees, at least in this case,
with it to pronounce the same verdict (...).
A man with fever does not argue that his palate
is able to judge the tastes or one who suffers from blindness,
claim to pronounce on the colors.
In every creature there is a healthy condition and a defective
and only the first can be considered able to give us the true standard
of taste and feeling. "
So David Hume in the essay The standard of taste (1757).
so unsuccessful as claiming to
what is really sweet or really bitter.
According to the layout of the same object
can be sweet or bitter, as is fitting proverb
which recognized the futility of the dispute about tastes.
E 'completely natural and even necessary
extend this axiom to the taste of mind over body and taste;
and so common sense, which so often departs from the philosophy
skeptical, agrees, at least in this case,
with it to pronounce the same verdict (...).
A man with fever does not argue that his palate
is able to judge the tastes or one who suffers from blindness,
claim to pronounce on the colors.
In every creature there is a healthy condition and a defective
and only the first can be considered able to give us the true standard
of taste and feeling. "
So David Hume in the essay The standard of taste (1757).
The beauty of things and people
depends on how it made sense, and judgments (including those related to art)
are not purely subjective: sailing
in a nebulous area where the conceptual content
- sensory processing by the individual -
really need continuous checks.
depends on how it made sense, and judgments (including those related to art)
are not purely subjective: sailing
in a nebulous area where the conceptual content
- sensory processing by the individual -
really need continuous checks.
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